The occasional conversational sidebar can prove to be a helpful way to add extra depth to a particular idea without stepping aside completely. As the Absolute series has grown, there has been several micro-series within the larger set. Absolute: Contrive and its sister painting Absolute: Construct are such examples. Both pieces(photos below) are the same size and expand upon similarly themed content. Read on for more information.
Absolute: Contrive, oil on refinished red oak. 22″ x 26″. 11.2.15
An artist’s occupation can be full of socialization. Art openings, studio gatherings, or normal artist meet-ups have plenty to offer an artist if they are so inclined. Congregating with other like-minded people can aid in idea making, business propositions, and escape the general studio (or day-job) rut. Most see it as a necessity to stay relevant in the quickly changing world of art. But it can also hold a large base of distraction if one isn’t careful. In this article, I’ll discuss the merits of the social artist as well as the inhibitors that can sometimes lead to more procrastination than a primer.
Of course, there’s nothing wrong with simply having a good time with friends. This article is aimed at the artist who is looking to be more social or is interested in getting a little more from their social exuberance.
Today will be a short but exciting entry! I’m ecstatic to announce that MAKE: magazine has written an online article covering my latest kinetic light sculpture, “The Living Orb”. If you’re not familiar with the magazine, it’s a quarterly periodical and online leader of the maker movement. They are an amazing source for project tutorials, art & design blogs, electronics reviews, skill-building, and the fantastic projects & imaginations of interesting people across the globe.
It’s a true honor to be acknowledged by MAKE:. A special thanks goes to contributing writer, Jeremy Cook who also happens to be a skilled engineer/maker. You can give him some online love at his website, DIYTripods.com or follow him on Twitter.
Want to see how “The Living Orb” was made? Follow the build process from start to finish here.
“Who’s your inspiration?”: My Ballet Of Unlikely Answers
by Daric Gill
The first question an artist is asked upon introduction is, “What type of art do you make?”. This is quickly followed up by, “Who (or what) is your inspiration?”. These are reasonable questions. After all, almost everyone knows what an artist is, but aren’t really sure what an artist does. And certainly, they don’t know where we get our ideas. Shoot… sometimes we don’t even know where they come from ourselves.
From experience I know that what I’m about to say is not the answer they are expecting:
My art and inspirations areinterdisciplinary. So, by definition it’s not as easy to define. What then?
There’s always a ballet of rhetoric that I have to employ to maintain brevity but still answer with clarity. The following article offers both a brief explanation of my inspirations as well as a more in-depth description of how I get inspired. And if you’re one of those people who want to know more about your fellow artists, but aren’t sure how to start-up the conversation, hopefully, this can help.
An artist’s occupation can be full of socialization. Art openings, studio gatherings, or normal artist meet-ups have plenty to offer an artist if they are so inclined. Congregating with other like-minded people can aid in idea making, business propositions, and escape the general studio (or day-job) rut. Most see it as a necessity to stay relevant in the quickly changing world of art. But it can also hold a large base of distraction if one isn’t careful. In this article, I’ll discuss the merits of the social artist as well as the inhibitors that can sometimes lead to more procrastination than a primer.
Daric Gill 
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