With the opening of my latest show also comes the unveiling of the largest “Absolute” painting in existence. You could say that it’s the size of a piano– because that’s what it is; an oil painting on a reclaimed 1927 Honduran mahogany baby grand piano lid. Want to know more? –>
I’m pleased to announce that the “Absolutes & Complements” suite of paintings will be at the Schnormeier Gallery this month. With over 20 paintings in this exhibition, this marks the largest selection of the “Absolute” suite ever amassed into one show. Among the work on display will be the debut of “Absolute: Pitch”, the largest private piece I’ve ever created. Visitors will also get to see the fun and whimsical work of Craig Hill in an adjacent gallery room. For more information, continue reading.
Ladies & Gentlemen: I give you, “Absolute: Time”.
The aim of this piece is to explore how time can be mysterious by nature. The background tones gradient from dark at the bottom to lighter in the center of the painting. The thread fades into nothingness as it leads to nowhere. The pendulum that is created sits atop a weathered linear piece of paper, a timeline for the sway of the cherry weight. The cherry is an enticing mass, juicy and red. Continue reading for more information.
“Absolute: Closure” is my latest oil painting. It’s a moody brute with all the nostalgia and wanton reminiscence one could ask for. This piece was particularly a healthy challenge, as its dark tones made for a limited color palette. Black on black on dark brown meant that I had to find the subtle nuances between shades of darkness. I have to say, this was a welcomed exploration. Read on for more about this piece.
Daric Gill 
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