Tag Archives: contemporary still life painting

Paintings Chosen By OAC, Placed In Governor’s Office/Residence

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Absolutes Chosen By OAC, To Be In Governor’s Office/Residence

by Daric Gill

I’m pleased to announce that my artwork has been selected as part of the 2015-2017 Ohio Governor’s Office and Residence Loan Program. All artwork in this program has been carefully chosen by the Ohio Arts Council and will be on extended loan for 2 years at either the Governor’s Office or his residence. The OAC will notify me upon installation as to where  the artwork will reside for the next couple years.

“Since 1985 the OAC has assisted in placing artwork by Ohio artists and from the collections of Ohio museums and cultural institutions in the Governor’s Residence and throughout the Governor’s offices.” – OAC

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Contemporary oil painting by Daric Gill

New! Centering Around Newest Painting

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Creating Absolute: Centered

by Daric Gill

Absolute: Centered, Oil on reclaimed red oak barn wood. 14 3/4” x 13”. 6.10.15.
Absolute: Centered, Oil on reclaimed red oak barn wood. 14 3/4” x 13”. 6.10.15.

Today I debut my latest painting, Absolute: Centered. Two concentric circles, aged and worn looking, hide behind a piece of masking tape and locust tree leaves. The frame, like most all my frames, is handmade. Quarter sawn oak has a unique figure that I felt matched the aesthetic undulations in the work itself.

Nail holes, gouged scarring, and rough mill marks add character to the background wood. The cool blue base color offers a rare opportunity to use orange paint (which tends to blend in if the natural wood color is present).

I can already tell that this piece is an exciting transitional piece. Enthusiasm builds as I  anticipate what direction this will take me.

 

[More Images Below]

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Contemporary oil painting by Daric Gill

NEW Painting! The Layers of “Absolute: Allure”

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The Layers of Absolute:Allure

Absolute: Allure
Absolute: Allure, Oil on reclaimed birds eye maple. 7 11/16″ x 8 3/4″. 6.4.15.

Today I finished documenting the latest painting in my Absolute series. Layers of translucent crimson were painted on birdseye maple. This made a simple yet dynamic backdrop from which to build the rest of the piece.

It portrays a plump cherry dangling above a vertical white stripe. A series of overlapping translucent shapes help frame, focus, and add to an already rich collection of symbols.

Read on to learn more about this piece.

 

[Full Image Gallery Below]

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An Early “Absolute” Hybrid Painting

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Recapturing “Absolutus: a priori”

by Daric Gill

"Absolutus: a priori": mixed medium and pencil on paper. 12" x 20". 10.22.12.
“Absolutus: a priori”: mixed medium and pencil on paper. 12″ x 20″. 10.22.12.

Today I re-documented one of the most unique pieces in the Absolute collection. This artwork is quite a departure from the rest of the line. While most pieces in this series are oil paintings on wood, this piece is a painting/drawing hybrid on paper. The under-painting consists of a mixture of gouache (similar to an opaque watercolor) and acrylic paint. Above that is a few layers of graphite pencil to add depth.

The drawing displays paper specimens much in the way an entomologist would display real insects for cataloguing purposes.

Absolutus: a priori, translates from latin as Absolute: from former. This phrase is taken straight from a branch of philosophy that deals with the acquisition of knowledge.

Read further to see the whole process.

[Full Image Gallery Below Article]

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