Looking Inward With Absolute: Rest

by Daric Gill

It is good to look inward with an absolute silence, to find solace during those cacophonous times. For Absolute: Rest, I took a major departure from my normal idea-gathering process and instead developed the painting alongside a short story I wrote.

Absolute: Rest is an oil painting on reclaimed Honduran Mahogany. A black handmade envelope is painted above a translucent geometric ‘X’. On top of the envelope is a leaf from the ZZ plant. Its green flesh is held down by a smooth stone. Each of these elements is symbolic, taken from the short story, Bricks to Stones.

“So afraid of a falling shelter, Man spent all his energy grinding bricks into stones and bones to dirt. These are materials more suited for a garden than a shelter.”

[Process Video, Short Story, & Full Image Gallery Below]

Continue reading Making “Absolute: Rest”, Painting & A Short Story →

Newest Painting “Absolute: Insulation”

By Daric Gill

Introducing my latest painting, Absolute: Insulation, an oil painting on reclaimed cherry wood.

A leafless branch is vignetted in the center of the undulating patterns of the wood below. The top half of the branch, sheathed in a coating of white, reaches outward and upward. The base of the branch fades into the background wood. Look close enough and you can see dried remnants of moss on the twig. A deep red-brown color envelopes around the center; its rich color coursing through the wavy cherry wood grain.  Read more below…

[Process Video & Full Image Gallery Below Article]

Continue reading The Making Of “Absolute: Insulation” Oil Painting On Cherry →

Oil Painting “Absolute: Position” Explores Life & Relations

By Daric Gill

I’d like to introduce my latest painting, Absolute: Position, an oil painting on a reclaimed mahogany pie crust table top.

Four green leaves mirror each other, weighting the piece at the bottom. Hanging down the center of the piece is a moss-encrusted branch, showing off its thorny side.  A sprig of chamomile flowers grows up from the bottom edge. The flowers also reflect in opposition to the dead branch. The branch and the chamomile are almost touching tips, but not quite. Behind the natural objects are two translucent stripes. Depending on the viewer, one may view them as either dark stripes on a lighter background or lighter stripes on a darker background. Read more below…

[Process Video & Full Image Gallery Below Article]

Continue reading Oil Painting “Absolute: Position” Explores Life & Relations →