Today’s post is short and sweet. My “Absolute: Value” painting has a newly updated photo. It’s a small piece with lots of impact.
Click on the images to see larger versions.
Absolute Value. (the cherry blossom orchid): oil on panel. 7 1/4″ x 4 1/4″. 6.2.11.Absolute: Value. (the cherry blossom orchid): oil on panel. 7 1/4″ x 4 1/4″. 6.2.11.
“It’s yours if you want it… But I’m dragging it to the dumpster on Friday if you don’t do something with it.”
Yep. That sentence. Usually, it’s regarding something big, amazing, and… most likely a tad unwieldy. Maybe it’s referring to that upright piano that you would LOVE to have, but just don’t have the room for. Or maybe it’s that dresser that you’ve needed, but your Honda Civic isn’t up to the challenge. In my latest case I was donated an antique jewelers cabinet that was in serious need of some love. Of course, it had to be claimed in the next few days or face decimation. I had a choice and I think I made the right one. This project was an absolutely fun piece-by-piece teardown and rebuild.
This new configuration is sleeker and more versatile. It’s now available to be used as a bar, dining room table, and of course–even a workbench. Read onward to learn more about this piece and its reclaiming process.
Workbench Table: made from antique reclaimed jeweler’s cabinet. 76 1/2″ x 34 3/4″ x 30 3/4″. 2.18.15.
“Absolute’s Complement: Asymmetry”: oil on panel. 10 1/8″ x 7 3/4″. 7.1.12.
Last week I shot a few more paintings as part of my portfolio update. This piece is called Absolute’s Complement: Asymmetry. The piece has many layers of translucent paint that creates the feel of undulating rust. This glazing process allows for a surface that is entirely flat with only the appearance of texture. Similarly, the hand-built frame has a wash over the surface to give it a more weathered look.
Absolute: Torn: oil on panel. 15 1/2″ x 18 1/8″. 5.24.11.
This year I’ve decided to go through some of my collection and update the documentation of a few pieces. Yesterday’s shoot featured one of the earliest “Absolute” paintings, “Absolute: Torn”.
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